That's Fronkensteen

Gene Wilder has died at the age of 83:

Gene Wilder, who established himself as one of America’s foremost comic actors with his delightfully neurotic performances in three films directed by Mel Brooks; his eccentric star turn in the family classic “Willy Wonka and the Chocolate Factory”; and his winning chemistry with Richard Pryor in the box-office smash “Stir Crazy,” died on Sunday night at his home in Stamford, Conn. He was 83.

Eric Weissmann, who was Mr. Wilder’s lawyer for many years, confirmed the death. A nephew, Jordan Walker-Pearlman, said that the cause was complications of Alzheimer’s disease.

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He made his movie debut in 1967 in Arthur Penn’s celebrated crime drama, “Bonnie and Clyde,” in which he was memorably hysterical as an undertaker kidnapped by the notorious Depression-era bank robbers played by Faye Dunaway and Warren Beatty. He was even more hysterical, and even more memorable, a year later in “The Producers,” Mr. Brooks’s first film and the basis of his later Broadway hit.

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He was nominated for a Golden Globe for his performance as the wizardly title character in “Willy Wonka and the Chocolate Factory” (1971). The film was a box-office disappointment, partly because of parental concern that the moral of Roald Dahl’s story — that greedy, gluttonous children should not go unpunished — was too dark in the telling. But it went on to gain a devoted following, and Willy Wonka remains one of the roles with which Mr. Wilder is most closely identified.

His next role was more adult but equally strange: an otherwise normal doctor who falls in love with a sheep named Daisy in a segment of Woody Allen’s “Everything You Always Wanted to Know About Sex but Were Afraid to Ask,” in 1972. Two years later, he reunited with Mr. Brooks for perhaps the two best-known entries in either man’s filmography.

In “Blazing Saddles,” a raunchy, no-holds-barred spoof of Hollywood westerns, Mr. Wilder had the relatively quiet role of the Waco Kid, a boozy ex-gunfighter who helps an improbable black sheriff (Cleavon Little) save a town from railroad barons and venal politicians. The film’s once-daring humor may have lost some of its edge over the years, but Mr. Wilder’s next Brooks film, “Young Frankenstein,” has never grown old.

Mel Brooks movies were a part of my adolescence, and Mr. Wilder had a real skill in being both low key and hysterically funny at the same time.